child has been already considered in the interpretation of an earlier dream (cf. the dream on p. 145).
Now there was another domestic occurrence, when I was seven or eight years old, which I remember very well. One evening, before going to bed I had disregarded the dictates of discretion not to satisfy my wants in the bedroom of my parents and in their presence, and in his reprimand for this delinquency my father made the remark: "That boy will never amount to anything." It must have terribly mortified my ambition, for allusions to this scene return again and again in my dreams, and are regularly coupled with enumerations of my accomplishments and successes, as though I wanted to say: "You see, I have amounted to something after all." Now this childhood scene furnishes the elements for the last image of the dream, in which of course, the roles are inter-changed for the sake of revenge. The elderly man, obviously my father, for the blindness in one eye signifies his glaucoma on one side is now urinating before me as I once urinated before him. In glaucoma I refer to cocaine, which stood my father in good stead in his operation, as though I had thereby fulfilled my promises. Besides that I make sport of him; since he is blind I must hold the urinal in front of him, and I gloat over allusions to my discoveries in the theory of hysteria, of which I am so proud.
- Another interpretation: He is one-eyed like Odin, the father of the gods... Odin's consolation. The consolation in the childish scene, that I will buy him a new bed.
- I here add some material for interpretation. Holding the urinal recalls the story of a peasant who tries one glass after another at the opticians, but still cannot read (peasant-catcher, like girl-catcher in a portion of the dream). The treatment among the peasants of the father who has become weak-minded in Zola's La Terre. The pathetic atonement that in his last days the father soils his bed like a child; hence, also, I am his sick-attendant in the dream. Thinking and experiencing are here, as it were; the same thing recalls a highly revolutionary closet drama by Oscar Panizza, in which the Godhead is treated quite contemptuously, as though he were a paralytic old man. There occurs a passage: "Will and deed are the same thing with him, and he must be prevented by his archangel, a kind of Ganymede, from scolding and swearing, because these curses would immediately be fulfilled." Making plans is a reproach against my father, dating from a later period in the development of my critical faculty; just as the whole rebellious, sovereign-offending dream, with its scoff at high authority, originates in a revolt against my father. The sovereign is called father of the land (Landesvater), and the father is the oldest, first and only authority for the child, from the absolutism of which the other social authorities have developed in the