boy of the joke, is shown by another series in which the agent, on the contrary, is pictured as a superior person whose dialectics are a match for any difficulty. They are stories whose façades are logical instead of comical—they are sophistic thought-witticisms. In one of them (p. 83) the agent knows how to circumvent the limping of the bride by stating that in her case it is at least “a finished job”; another woman with straight limbs would be in constant danger of falling and breaking a leg, which would be followed by sickness, pains, and doctor’s fees—all of which can be avoided by marrying the one already limping. Again in another example (p. 81) the agent is clever enough to refute by good arguments each of the whole series of the suitor’s objections against the bride; only to the last, which cannot be glossed over, he rejoins, “Do you expect her to have no blemishes at all?” as if the other objections had not left behind an important remnant. It is not difficult to pick out the weak points of the arguments in both examples, a thing which we have done during the investigation of the technique. But now something else interests us. If the agent’s speech is endowed with such a strong semblance of logic, which on more careful examination proves to be merely a semblance,
