Page:Fugue by Ebenezer Prout.djvu/146

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128
Fugue.
[Chap. VIII.

J. S. Bach. Motett, "Der Geist hilft uns're Schwachheit auf."

\new ChoirStaff << \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
  \new Staff \relative b' { \key bes \major \time 2/2 \mark \markup \tiny { (\italic"a") }
    R1*6 | r2 \[ bes2^"A" | f' f4 f | ees d ees c | d c d ees |
    f c f2 ~ | f4 ees8 d ees4 c | d1 | c4 \] c f }
  \new Staff \relative f' { \clef alto \key bes \major
    R1*5 | r2 \[ f2^"S" bes bes4 bes | a g a f | g f g a |
    bes f bes2 ~ | bes4 a8 g a4 f | g1 |
    fis4 \] d g2 ~ | g4 f!8 e f4_"&c." }
  \new Staff \relative b { \clef tenor \key bes \major
    R1 | r2 \[ bes^"A" | f' f4 f | ees d ees c | d c d ees |
    f c f2 ~ | f4 ees8 d ees4 bes | c1 | bes2 \] bes4 a | g d g2 |
    f2. aes4 | d, c8 b c4 e | a, d8 c e4 bes | c bes c }
  \new Staff \relative f { \clef tenor \key bes \major
    r2 \[ f2^"S" bes bes4 bes | a g a f | g f g a | bes f bes2 ~ |
    bes4 a8 g a4 f | g1 f2 \] d | g g ~ g4 a bes c |
    d ees d c | b g c2 ~ | c4 bes!8 a bes4 g | a g a } >>


A fugue of this kind is generally called a "close fugue." We give two specimens of the beginning of a close fugue by other composers.

Handel. 'Israel in Egypt.

\new ChoirStaff << \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
  \new Staff \relative a' { \key a \minor \time 2/2 \mark \markup \tiny { (\italic"b") }
    R1*5 \[ a1^"A" c b2 g a b c1 }
  \new Staff \relative e' { \clef alto \key a \minor
    R1*4 \[ d1^"S" f | e2 c | d e | f \] e4 d e1_"&c." }
  \new Staff \relative a { \clef tenor \key a \minor
    R1 \[ a1^"A" c b2 g | a b4 c \] | d a d2 | a1 g d' R }
  \new Staff \relative d { \clef bass \key a \minor
    \[ d1^"S" f e2 c d e f \] g d1 R1*3 r2 a' ~ } >>


Mendelssohn. 'St. Paul.'

\new ChoirStaff << \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
  \new Staff \relative a' { \time 3/2 \key d \minor \partial 1 \mark \markup \tiny { (\italic"c") }
    r2 r | R1.*3 r2 \[ a^"A" bes | c1 c2 | c b cis | d1. a2 \] s }
  \new Staff \relative d' { \clef alto \key d \minor
    r2 r | R1.*2 r2 \[ d^"S" e | f1 f2 | f e f g1. d1 \] f2 e s_"&c." }
  \new Staff \relative a { \clef tenor \key d \minor
    r2 r | r \[ a^"A" bes | c1 c2 | c b cis | d1. |
    a \] r2 r e' | a,1 b2 | cis s }
  \new Staff \relative d { \clef bass \key d \minor
    \[ d2^"S" e | f1 f2 | f e f | g1. d \] |
    r2 r a' | g2. f4 e2 | f f g | a1 } >>