Page:Fugue by Ebenezer Prout.djvu/253

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Chap. XIII.]
Fugue.
235
Cherubini 1st Mass.
\new ChoirStaff << \new Staff \with { instrumentName = \markup { \caps "Violino" 1mo. } } \relative f'' { \key f \major \time 4/4 \override Score.Rest #'style = #'classical \override Score.BarNumber #'break-visibility = #'#(#f #f #f) R1*3 %end page r4 f8\pp g_\markup \italic "stac." a f g a | g c, c c c c \grace c bes a16 bes | a8 a' g a g e f g %end line a f f f f f \grace g f e16 f | g8 e e e e e \grace f e d16 e | f8 g,, g g g4 r | r c'8 d } \new Staff \with { instrumentName = \markup { \caps "Violino" 2do. } } \relative f' { \key f \major r4 f8\pp g_\markup \italic "stac." a f g a | g c, c c c c \grace c bes a16 bes | a8 a' g f g c d e | %end page f8 f, f f f a g f | g f g a bes e, f g | a f e f e c d e %end line f4 r8 a a g a b | g4 r8 g g f g a | f d e c b a g b | c c c c } \new Staff \with { instrumentName = \markup \caps "Viola" } \relative c { \key f \major \clef alto R1 r4 c8\pp d_\markup \italic "stac." e c d e | f f' f f f f \grace f e d16 e %end page d4 d8 e f d e f | e d e f g c, d e | f c c c c c \grace c bes a16 bes %end line a8 a b c d e f d | e g, a b c d e c | d f, g a g f e d | c4 e'8 f_"&c." } \new ChoirStaff << \new Staff \with { instrumentName = \markup \caps "Soprano" } \relative f' { \key f \major f2 a4 g8 f | c'2. bes4 | a c c d8 e %end page f2. e8 f | g1 c, %end page R1*3 c2 } \new Staff \with { instrumentName = \markup \caps "Tenor" } \relative f { \key f \major \clef tenor R1*3 %end page f2 a4 g8 f | c'2. bes4 | a c c e8 e %end line f1 e d4 e f2 ~ | f4 e8 d } \new Staff \with { instrumentName = \markup \caps "Bass" } \relative c { \clef bass \key f \major R1 c2 e4 d8 c | f2. e4 %end page d d r f | e c c d8 e | f4 a c a | %end line a4 b8 c d2 ~ | d4 g, c2 ~ | c b | c } >> >>


It will be seen that the string parts here are partly a free variation of the voice parts, and partly a filling up of the harmony by new and independent figures of accompaniment.

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