Page:Fugue by Ebenezer Prout.djvu/62

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44

Fugue.

[Chap. III.

106. We next give instances in which the leap from dominant to tonic is not followed by another note of the tonic chord—

Handel. Utrecht Te Deum.

$\new ChoirStaff << \new Staff \relative a' { \key d \major \time 4/4 \mark \markup \tiny { ( \italic a ) } a4.^\markup \bold "S" a8 d,4 g ~ | g fis e2 | fis4 s } \new Staff \relative e'' { \key d \major e4.^\markup \bold "A" e8 a,4 d ~ d cis b2 | a } >>$

Handel. Anthem, "O come let us sing."

$\new ChoirStaff << \new Staff \relative e'' { \key a \major \time 3/4 \mark \markup \tiny { ( \italic b ) } e2.^\markup \bold "S" a, | b8 cis d b e d | cis4. b8 a4 } \new Staff \relative b' { \key a \major b2.^\markup \bold "A" e, | fis8 gis a fis b a | gis4. fis8 e4 } >>$

Beethoven. Mass in D.

$\new ChoirStaff << \new Staff \relative d { \key g \major \clef bass \time 12/8 \partial 4. \mark \markup \tiny { ( \italic c ) } d4.^\markup \bold "S" | g2. fis4 e8 d4 c8 | b4 a8 g4 } \new Staff \relative a { \key g \major \clef tenor a4.^\markup \bold "A" | d2. cis4 b8 a4 g8 | fis4 e8 d4 } >>$

Beethoven. 'Mount of Olives.'

$\new ChoirStaff << \new Staff \relative g' { \key c \major \time 2/2 \mark \markup \tiny { ( \italic d ) } g2^\markup \bold "S" g | c2. c4 | b8 a g a b c d b | c4 } \new Staff \relative d' { \key c \major d2^\markup \bold "A" d | g2. g4 | fis8 e d e fis g a fis | g4 } >>$

Beethoven. 'Der glorreiche Augenblick.

$\new ChoirStaff << \new Staff \relative e' { \clef alto \key a \major \time 2/2 \mark \markup \tiny { ( \italic e ) } e4^\markup \bold "S" a,8 a' a4 a | a b8 a gis2 } \new Staff \relative b' { \key a \major b4^\markup \bold "A" e,8 d' d4 d | d e8 d cis2 } >>$

The answer at (e) looks irregular; but there is here an implied modulation (§ 118). The subject after the second note is regarded as being in the dominant key, and therefore answered by the corresponding notes of the tonic key.

107. Lastly we give examples in which the dominant is followed by some other note than the tonic—

J. S. Bach. Cantata, "Gottes Zeit ist die allerbeste Zeit."

$\new ChoirStaff << \new Staff \relative b' { \clef alto \key ees \major \time 4/4 \partial 4 \mark \markup \tiny { ( \italic a ) } bes4^\markup \bold "S" | g f ees f | g16 aes f g aes bes g aes bes8 c f,8. ees16 | ees8 } \new Staff \relative f'' { \key ees \major f4^\markup \bold "A" | d c bes c | d16 ees c d ees f d ees f8 g c,8. bes16 | bes8 } >>$

Page:Fugue by Ebenezer Prout.djvu/62

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