III
The Marquis de la Torre's residence was half modern, half historical, with here and there quaint old-fashioned rooms and corners. Don Christobal was something of a collector, and had adorned his home with ancient paneling, carved galleries several centuries old, rude furniture dating back to before the conquest, faded tapestry—all so many relics of the various towns of old Peru which his ancestors had first sacked and then peopled. And each object recalled some anecdote or story which the host detailed at length to all willing listeners.
It was in one of these historical corners that Mr. Montgomery and his nephew were presented to two old ladies—two Velasquez canvases brought to life, yet striving to retain all their pictorial dignity. Attired after a fashion long since forgotten, Aunt Agnes and her duenna might almost have been taken for antiques of Don Christobal's collection: they lived altogether in another age, and their happiest moments were those passed in telling fear-inspiring legends. All the tales of old Peru had a home in this ancient room of theirs, and many an
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