having sealed it with the royal signet, ordered it to be sent, for the edification of his brothers, to Rome and Vienna. Both received, with due respect, the important lesson: the emperor often recollected with tenderness and compassion the degraded situation of the valiant Robert; and the pope, besides availing himself of the story in a number of sermons addressed to the faithful, caused it to be carefully preserved in the archives of the Vatican, as a constant warning against pride, and an incitement to the performance of our religious duties."
The story of "The King of Thibet and the Princess of the Naimans," in the Persian and Turkish Tales, presents an incident somewhat similar. But the assumption of another's likeness, is a common eastern figment.
Note 59.Page 212.
"This is evidently a Gothic innovation of the classical tale of Atalanta. But it is not impossible, that an oriental apologue might have given rise to the Grecian fable."—Warton.
The story of Atalanta, I consider the origin of many subsequent fables. Amongst these, the "Hare and the Tortoise" may be noticed.
