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CHAPTER IV.
MIRIAM'S BROTHER.
But for the aid of his wife's more sympathetic insight, Edward Spence would have continued to interpret Miriam's cheerless frame of mind as a mere result of impatience at being removed from the familiar scenes of her religious activity, and of disquietude amid uncongenial surroundings. "A Puritan at Naples"—that was the phrase which represented her to his imagination; his liking for the picturesque and suggestive led him to regard her solely in that tight. rain of modern humanitarianism complicated Miriam's character. One had not to take into account a possible melancholy produced by the contrast between her life of ease in the South, and the squalor of
