and consequently with their own hands led them to the Temple of Fame. And since we have dar'd to remember those exceptions which the Curious have against them, it will not be expected I should forget what is objected against Spencer; whose obsolete Language we are constrained to mention, though it be grown the most vulgar accusation that is laid to his charge.
Language (which is the onely Creature of Man's creation) hath like a Plant, seasons of flourishing and decay; like Plants is remov'd from one soyl to another, and by being so transplanted, doth often gather vigour and increase. But as it is false husbandrie to graft old branches upon young stocks: so we may wonder that our Language (not long before his time created out of a confusion of others, & then beginning to flourish like a new Plant) should (as helps to its increase) receive from his hand, new grafts of old wither'd words. But this vulgar exception, shall onely have the vulgar excuse; which is, that the unlucky choice of his Stanza, hath by repitition of Rhime, brought him to the necessity of many exploded words.
If we proceed from his Language to his Argument, we must observe with others, that his noble and most artfull hands deserv'd to be employed upon matter of a more natural, and therefore of a more usefull kind. His allegorical Story (by many held defective in the connexion) resembling (me thinks) a continuance of extraordinarie Dreams; such as excellent Poets, and Painters, by being over-studious, may have in the beginning of Feavers: And those moral visions are just of so much use to humane application, as painted History, when with the cousenage of lights, it is represented in Scenes, by which we are much less informed than by actions on the Stage.
Thus, Sir, I have (perhaps) taken pains to make you think me malicious, in observing how far the Curious have look'd into the errours of others; Errours which the natural humour of imitation hath made so like in all (even from Homer to Spencer) as the accusations against the firstappear
