NOTES
I
THE thought which beyond others most often and conspicuously gnaws at him is the thought of God. At moments it seems, indeed, not to be a thought, but a violent resistance to something which he feels above him. He speaks of it less than he would like, but thinks of it always. It can scarcely be said to be a sign of old age, a presentiment of death—no, I think that it comes from his exquisite human pride, and—a bit—from a sense of humiliation: for, being Leo Tolstoi, it is humiliating to have to submit one's will to a streptococcus. If he were a scientist, he would certainly evolve the most ingenious hypotheses, make great discoveries.
II
HЕ has wonderful hands—not beautiful, but knotted with swollen veins, and yet full of a singular expressiveness and the power of creativeness. Probably Leonardo da Vinci had hands like that. With such hands one can do anything. Sometimes, when talking, he will move his fingers, gradually close them into a fist, and then, suddenly opening them, utter a good, full-weight word. He is like a god, not a Sabaoth or Olympian, but the kind of Russian god who "sits on a maple throne under a golden lime tree," not very majestic, but perhaps more cunning than all the other gods.
9
