Page:Great Men and Famous Women Volume 7.djvu/270

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202
ARTISTS AND AUTHORS

profile its capacity was evident, for the horizontal measure from the eyes backward was long. If the base of the brain is the seat of its motive power, his should not be wanting in force. An axe that is to fell an oak must have weight back of the socket.

In repose his clear-cut and shaven lips indicated firmness and prompt decision, a self-contained nature, well-reasoned and settled opinions; but when he spoke, or was deeply interested, or when his eyes began to kindle, his mouth became wonderfully expressive. There was a swift play upon his features, a mobility which told of a sensitive and delicate nature. And those features were so sharply designed, free from the adipose layers and cushions that round so many faces into harmonious vacuity. His smile was fascinating and communicative; you were forced to share his feelings. His welcome was hearty, and sometimes breezy; you felt it in his sympathetic hand-grasp as well as in his frank speech. When conversation was launched he was more than fluent; there was a fulness of apt words in new and predestined combinations; they flowed like a hill-side brook, now bubbling with merriment, now deep and reflective, like the same current led into a quiet pool. Poetic similes were the spontaneous flowering of his thought; his wit detonated in epigrams, and his fancy revelled in the play of words. His courtesy, meanwhile, was unfailing; a retort never became a club in his hands to brain an opponent, nor did he let fly the arrows which sting and rankle. His enunciation was clear, but rapid and resistless. Whoever heard him at his best came to wonder if there had ever been another man so thoroughly alive, in whom every fibre was so fine and tense.