many and transient—and with the angle on which the sunlight touched it, and the degree of light.
Beneath the trees, at a distance, it had seemed a somewhat dim white or pale grey; near in the strong sunshine it was not white, but alabastrian, semi-pellucid, showing an underlying rose-colour; and at any point where the rays fell direct this colour was bright and luminous, as we see in our fingers when held before a strong firelight. But that part of her skin that remained in shadow appeared of a dimmer white, and the underlying colour varied from dim, rosy purple to dim blue. With the skin the colour of the eyes harmonised perfectly. At first, when lit with anger, they had appeared flame-like; now the iris was of a peculiar soft or dim and tender red, a shade sometimes seen in flowers. But only when looked closely at could this delicate hue be discerned, the pupils being large, as in some grey eyes, and the long, dark, shading lashes at a short distance made the whole eye appear dark. Think not, then, of the red flower, exposed to the light and sun in conjunction with the vivid green of the foliage; think only of such a hue in the half-hidden iris, brilliant and moist with the eye's moisture, deep with the eye's depth, glorified by the outward look of a bright, beautiful soul. Most variable of all in colour was the hair, this being due to its extreme fineness and glossiness, and to its elasticity, which made it lie fleecy and loose on head, shoulders, and back; a cloud with a brightness on its surface made by the freer outer hairs, a fit setting and crown for a countenance of such rare, changeful loveliness. In the shade, viewed
