Virgil in their ranks, no Petrarch and no Milton. The fame even of the great Ronsard was to be shortlived. In spite of the vigorous protests of a Régnier and a Mademoiselle de Gournay, it melted before the scornful glance of Malherbe, "le grammairien en lunettes et en cheveux gris"; and even now that time has redressed the injustice of the seventeenth century, he survives, not as the rival of Pindar and Virgil, but as the writer of some charming sonnets and songs, the poet of "Mignonne, allons voir si la rose." And it is by poems in the same vein that every one of the band is represented in such a collection as Crépet's. They breathed an Italian gravity and sweetness into French poetry which was not without its effect on the work even of their immediate successors; but they produced no poetry of such great and shining merits as to justify to these successors the violence they did in more than one way to the genius of the language and to the French love of sense, logic, and order.
Both these principles found in François Malherbe (1555-1628), the son of a Norman "conseiller," an ardent and even fanatical adherent and champion. Of his life little need be said
Lotheissen, Geschichte der französischen Litteratur im XVIIten Jahrhundert, Wien, 1877, 2nd ed. 1897; Sainte-Beuve, Tableau de la Poésie française et du Théâtre français au XVIe Siècle, the Port Royal passim, and essays in the Causeries de Lundi, &c.; Théophile Gautier, Les Grotesques; Faguet, Dix-Septième Siècle, Études Littéraires, Paris, 1893; Brunetière, Études Critiques, &c., the series of monographs, Les Grands Écrivains français, Paris. Selections from the poets with introductory notices in Crepets, Les Poètes français, Paris, 1861.
