the structure of the old singer’s lay. The first of the Riddles was once interpreted as giving the name of the poet Cynewulf. Recently it has been taken out of the category of riddles and referred to an incident in the famous Saga of the Volsungs, a Norse tale, whose legend was familiar in far older form to the poet of the Beowulf. As Signy’s Lament, Professor Schofield translates it and explains its meaning. Signy is twin sister to Sigmund; she is married against her will to Siggeir, who slays her father and has all her brothers exposed and killed save Sigmund, who is helped by Signy to escape to the forest, where he lives as an outlaw. An outlaw was often called “wolf.” The Wolf of the poem, therefore, is Sigmund. Signy is fain to revenge her slaughtered kinsfolk; her own sons by King Siggeir are nought; and she resolves to have by her own brother a son who shall show the Volsung mettle. Revolting as the deed seems to her, she must do it for the sake of revenge. Disguised, she goes to Sigmund in the forest, is entertained as a wanderer; returns to her palace; and in due time bears a son, Sinfiotli, the Fitela of the verses in the Beowulf,[1] whom she rears for a while and then takes to her brother. Ignorant of his true relation, Sigmund trains up the boy as his nephew, and together they destroy Siggeir, with whom Signy also perishes, as a true Germanic wife, though she is glad thus to avenge her father. Professor Schofield places this Lament at the time when Signy commits the boy to her brother’s care.
Such is the probable matter. It is the manner, the verse-form, which gives this poem such significance for the study of Deor. Its rimes are here and there inaccurate; the rhythm is close in some parts to the kind common
- ↑ See B., 859 ff.
