Page:Hazlitt, Political Essays (1819).djvu/310

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kets: or, from admiring the landscapes of Salvator Rosa, should wish to convert the abodes of civilized life into the haunts of wild beasts and banditti. On this principle of false refinement, there is no abuse, nor system of abuses, that does not admit of an easy and triumphant defence; for there is something which a merely speculative enquirer may always find out, good as well as bad, in every possible system, the best or the worst; and if we can once get rid of the restraints of common sense and honesty, we may easily prove, by plausible words, that liberty and slavery, peace and war, plenty and famine, are matters of perfect indifference. This is the school of politics, of which Mr. Burke was at the head; and it is perhaps to his example, in this respect, that we owe the prevailing tone of many of those newspaper paragraphs, which Mr. Coleridge thinks so invaluable an accession to our political philosophy.

Burke's literary talents were, after all, his chief excellence. His style has all the familiarity of conversation, and all the research of the most elaborate composition. He says what he wants to say, by any means, nearer or more remote, within his reach. He makes use of the most common or scientific terms, of the longest or shortest sentences, of the plainest and most downright, or of the most figurative modes of speech. He gives for the most part loose reins to his imagination, and follows it as far as the language will carry him. As long as the one or the other has any resources in store to make the reader feel and see the thing as he has conceived it, in its nicest shades of difference, in its utmost degree of force and splendour, he never disdains, and never fails to employ them. Yet, in the extremes of his mixed style, there is not much affectation, and but little either of pedantry or of coarseness. He everywhere gives the image he wishes to give, in its true and appropriate colouring: and it is the very crowd and variety of these images that have given to his language its peculiar tone of animation, and even of passion. It is his impatience to transfer his conceptions entire, living, in all their rapidity, strength, and glancing variety, to the minds of