Page:Hazlitt, Political Essays (1819).djvu/401

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elevation, delicacy, originality, ingenuity, invention, are not wanted: he must appeal to the sympathies of human nature, and whatever is not founded in these, is foreign to his purpose. He does not create, he can only imitate or echo back the public sentiment. His object is to call up the feelings of the human breast; but he cannot call up what is not already there. The first duty of an orator is to be understood by every one; but it is evident that what all can understand, is not in itself difficult of comprehension. He cannot add any thing to the materials afforded him by the knowledge and experience of others.

Lord Chatham, in his speeches, was neither philosopher nor poet. As to the latter, the difference between poetry and eloquence I take to be this: that the object of the one is to delight the imagination, that of the other to impel the will. The one ought to enrich and feed the mind itself with tenderness and beauty, the other furnishes it with motives of action. The one seeks to give immediate pleasure, to make the mind dwell with rapture on its own workings—it is to itself "both end and use:" the other endeavours to call up such images as will produce the strongest effect upon the mind, and makes use of the passions only as instruments to attain a particular purpose. The poet lulls and soothes the mind into a forgetfulness of itself, and "laps it in Elysium:" the orator strives to awaken it to a sense of its real interests, and to make it feel the necessity of taking the most effectual means for securing them. The one dwells in an ideal world; the other is only conversant about realities. Hence poetry must be more ornamented, must be richer and fuller and more delicate, because it is at liberty to select whatever images are naturally most beautiful, and likely to give most pleasure; whereas the orator is confined to particular facts, which he may adorn as well as he can, and make the most of, but which he cannot strain beyond a certain point without running into extravagance and affectation, and losing his end. However, from the very nature of the case, the orator is allowed a greater latitude, and is compelled to make use of harsher and more abrupt combinations in