Page:Held to Answer (1916).pdf/473

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more. My love has surged even over that. You have still a great dramatic career before you. You shall come into my company. You shall have every opportunity. Within two years you shall be my leading man; within five, co-star with me. Think of it. Your heart is still in the actor's art. Acting is religion. After God, the actor is the greatest creator. He alone can simulate life. The stage is the most powerful pulpit. Come. We will write your life's story into a play. We will play the faith and fortitude which you have shown into the very soul of America, like a bed of moral concrete! Are you not moved at that?"

She paused, standing with head upon one side, and the old, alluring, coaxing glances stealing up from beneath the coquettish droop of her lids.

"No," Hampstead replied seriously. "I am not moved by it at all. Had you made this speech to me five years ago, I should have been in transports. To-day the art of living appeals to me beyond the art of acting. I have no doubt I feel as great a zest, as great a creative thrill in standing true in the position in which you have placed me as you ever can in the most ecstatic raptures of the mimetic art. No, Marien," and his tone was conclusive, "it makes no appeal to me."

The beautiful creature, perplexity and disappointment mingling on her face, stood for a moment nonplussed. The expression of alert and confident resourcefulness had departed. Her intelligence had failed her. Yet once more the old smile mounted bravely.

"But there still remains one thing," she breathed softly, leaning toward him. "That is I. Everything you have got is gone, or going. I have taken it away from you that I might give you instead myself. You had no room for me last week. You have nothing else but me now. It hurt me to give you pain. I hate Searle.