things to have reached just the worst possible crisis at which they could have been surprised, when Ramona suddenly appeared at the orchard gate, saying in a stern tone, “Margarita, you are wanted in the house!” At a bad crisis, indeed, for everybody concerned. The picture which Ramona had seen, as she reached the gate, was this: Alessandro, standing with his back against the fence, his right hand hanging listlessly down, with the pruning-knife in it, his left hand in the hand of Margarita, who stood close to him, looking up in his face, with a half-saucy, half-loving expression. What made bad matters worse, was, that at the first sight of Ramona, Alessandro snatched his hand from Margarita's, and tried to draw farther off from her, looking at her with an expression which, even in her anger, Ramona could not help seeing was one of disgust and repulsion. And if Ramona saw it, how much more did Margarita! Saw it, as only a woman repulsed in presence of another woman can see and feel. The whole thing was over in the twinkling of an eye; the telling it takes double, treble the time of the happening. Before Alessandro was fairly aware what had befallen, Ramona and Margarita were disappearing from view under the garden trellis,—Ramona walking in advance, stately, silent, and Margarita following, sulky, abject in her gait, but with a raging whirlwind in her heart.
It had taken only the twinkling of an eye, but it had told Margarita the truth. Alessandro too.
“My God!” he said, “the Señorita thought me making love to that girl. May the fiends get her! The Señorita looked at me as if I were a dog. How could she think a man would look at a woman after he had once seen her! And I can never, never speak to her to tell her! Oh, this cannot be borne!” And in his rage Alessandro threw his pruning-knife whirl-
