beautiful oak-trees. It is where we get our acorns for the winter. It is on the top of a high hill.”
“Will it be safe there?” she asked.
“I think so,” he replied; “though not so safe as here. There is no such place as this in all the country.”
“And then where shall we go next?” she asked.
“That is very near Temecula,” he said. “We must go into Temecula, dear Majella. I must go to Mr. Hartsel's. He is friendly. He will give me money for my father's violin. If it were not for that, I would never go near the place again.”
“I would like to see it, Alessandro,” she said gently.
“Oh, no, no, Majella!” he cried; “you would not. It is terrible; the houses all unroofed,—all but my father's and Jose's. They were shingled roofs; they will be just the same; all the rest are only walls. Antonio's mother threw hers down; I don't know how the old woman ever had the strength; they said she was like a fury. She said nobody should ever live in those walls again; and she took a pole, and made a great hole in one side, and then she ran Antonio's wagon against it with all her might, till it fell in. No, Majella. It will be dreadful.”
“Wouldn't you like to go into the graveyard again, Alessandro?” she said timidly.
“The saints forbid!” he said solemnly. “I think it would make me a murderer to stand in that graveyard! If I had not you, my Majel, I should kill some white man when I came out. Oh, do not speak of it!” he added, after a moment's silence; “it takes the strength all out of my blood again, Majella. It feels as if I should die!”
And the word “Temecula” was not mentioned between them again until dusk the next day, when, as
