one of adobe,—the latter a comfortable little house of two rooms, with a floor and a shingled roof, both luxuries in San Pasquale. The great fig-tree, whose luxuriance and size were noted far and near throughout the country, stood half-way down the slope; but its boughs shaded all three of the tule houses. On one of its lower branches was fastened a dove-cote, ingeniously made of willow wands, plastered with adobe, and containing so many rooms that the whole tree seemed sometimes a-flutter with doves and dovelings. Here and there, between the houses, were huge baskets, larger than barrels, woven of twigs, as the eagle weaves its nest, only tighter and thicker. These were the outdoor granaries; in these were kept acorns, barley, wheat, and corn. Ramona thought them, as well she might, the prettiest things she ever saw.
“Are they hard to make?” she asked. “Can you make them, Alessandro? I shall want many.”
“All you want, my Majella,” replied Alessandro. “We will go together to get the twigs; I can, I dare say, buy some in the village. It is only two days to make a large one.”
“No. Do not buy one,” she exclaimed. “I wish everything in our house to be made by ourselves.” In which, again, Ramona was unconsciously striking one of the keynotes of pleasure in the primitive harmonies of existence.
The tule house which stood nearest to the dove-cote was, by a lucky chance, now empty, Ysidro's brother Ramon, who had occupied it, having gone with his wife and baby to San Bernardino, for the winter, to work; this house Ysidro was but too happy to give to Alessandro till his own should be done. It was a tiny place, though it was really two houses joined together by a roofed passage-way. In this passage-way the tidy Juana, Ramon's wife, kept her
