house. It was a wretched place; one small room, walled with poorly made adobe bricks, thatched with tule, no floor, and only one window. When Alessandro heard Ramona say cheerily, “Oh, this will do very well, when it is repaired a little,” his face was convulsed, and he turned away; but he said nothing. It was the only house to be had in the village, and there were few better. Two months later, no one would have known it. Alessandro had had good luck in hunting. Two fine deerskins covered the earth floor; a third was spread over the bedstead; and the horns, hung on the walls, served for hooks to hang clothes upon. The scarlet calico canopy was again set up over the bed, and the woven cradle, on its red manzanita frame, stood near. A small window in the door, and one more cut in the walls, let in light and air. On a shelf near one of these windows stood the little Madonna, again wreathed with vines as in San Pasquale.
When Aunt Ri first saw the room, after it was thus arranged, she put both arms akimbo, and stood in the doorway, her mouth wide open, her eyes full of wonder. Finally her wonder framed itself in an ejaculation: “Wall, I allow yer air fixed up!”
Aunt Ri, at her best estate, had never possessed a room which had the expression of this poor little mud hut of Ramona's. She could not understand it. The more she studied the place, the less she understood it. On returning to the tent, she said to Jos: “It beats all ever I see, the way thet Injun woman's got fixed up out er nothin'. It ain't no more'n a hovel, a mud hovel, Jos, not much bigger'n this yer tent, fur all three on 'em, an' the bed an' the stove an' everythin'; an' I vow, Jos, she's fixed it so't looks jest like a parlor! It beats me, it does. I'd jest like you to see it.”
And when Jos saw it, and Jeff, they were as full
