Ramona heard the first note, and felt again the same thrill. She was as much a musician born as Alessandro himself. As she rose from her knees, she whispered to Felipe: “Felipe, do find out which one of the Indians it is has that superb voice. I never heard anything like it.”
“Oh, that is Alessandro,” replied Felipe, “old Pablo's son. He is a splendid fellow. Don't you recollect his singing two years ago?”
“I was not here,” replied Ramona; “you forget.”
“Ah, yes, so you were away; I had forgotten,” said Felipe. “Well, he was here. They made him captain of the shearing-band, though he was only twenty, and he managed the men splendidly. They saved nearly all their money to carry home, and I never knew them do such a thing before. Father Salvierderra was here, which might have had something to do with it; but I think it was quite as much Alessandro. He plays the violin beautifully. I hope he has brought it along. He plays the old San Luis Rey music. His father was band-master there.”
Ramona's eyes kindled with pleasure. “Does your mother like it, to have him play?” she asked.
Felipe nodded. “We'll have him up on the veranda tonight,” he said.
While this whispered colloquy was going on, the chapel had emptied, the Indians and Mexicans all hurrying out to set about the day's work. Alessandro lingered at the doorway as long as he dared, till he was sharply called by Juan Canito, looking back: “What are you gaping at there, you Alessandro! Hurry, now, and get your men to work. After waiting till near midsummer for this shearing, we'll make as quick work of it as we can. Have you got your best shearers here?”
