On the Bright Shore
tion is created for puppets without a nest of their own. This French gilding suits our puppets, and they exhibit themselves under the authority of such and such authors. There is no principle in it, no character, no feeling of duty, no moral sense; there is nothing in it but false aspirations, and false posing for a psychological riddle."
Vyadrovski was too intelligent not to understand that by speaking in this fashion he was throwing stones at Pani Elzen; but, being thoroughly malevolent, he spoke so purposely. Pani Elzen listened to his words with all the greater vexation, because there was truth in them. Svirski was burning with a wish to answer rudely; but he knew that he could not take Vyadrovski's words as having any application, so he chose to give a new turn to the conversation.
"In French novels something else has always struck me," said he; "namely, this, that it is a world of barren women. In other countries, when two people fall in love, either according to law or outside of it, the
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