On the Bright Shore
That seemed to him the greatest injustice. The Greeks had imagined Thanatos[1] as a winged genius; that was correct. What can be more disgusting and frightful than a skeleton? If death be represented in that way, it should not be by Christians, who conceive death as a return to new life. According to Svirski, the present idea was born in the gloomy German soul which created Gothic architecture,—solemn and majestic, but as gloomy as if the church were a passage, not to the glories of heaven, but to underground gulfs. Svirski had marvelled always that the Renaissance had not recreated the symbol of death. Indeed, if Death had not always been silent, and had desired to complain, it would have said, „Why do people depict me as a skeleton? A skeleton is just what I have no wish to be, and will not be!" In Svirski's picture the genius of Sleep was delivering, mildly and quietly, the body of a maiden to the genius of Death, who, bending down, extin-
- ↑ Death.
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