Page:Henryk Sienkiewicz - On the bright shore.djvu/64

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On the Bright Shore

simply a state of soul, that soul should be capable not only of the moods of a Matsek (a peasant), but should be subtle, sensitive, developed, and expanded. He had quarrelled about this with his comrades, and had discussed with them passionately. "I do not require you," said he, "to paint as well as the French, the English, or the Spanish—I demand that you paint better! Above all, that you paint in your own style; whoso does not strive for this should make copper kettles." He showed, therefore, that if a picture represents a stack of hay, or hens scratching in a yard, or a potato field, or horses at pasture, or a corner of sleeping water in a pond, there should, above all, be a soul in it; hence he put into his pictures as much of his own self as he could, and besides he "confessed himself" in other pictures, the last of which was to be Hypnos and Thanatos (Sleep and Death).

The two geniuses were almost finished; but he had no success with the head of the maiden. Svirski understood that she must

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