also points at Marlow in another work translated by him, and published in 1594, under the title of "The French Academic," in which is also to be found the following bitter philippic against players: "It is a shameful thing to suffer amongst us, or to lose our time, that ought to be so precious unto us, in beholding and in hearing players, actors of interludes and comedies, who are as pernicious a plague in a commonwealth as can be imagined. For nothing marreth more the behaviour, simplicity, and natural goodness of any people than this, because they soon receive into their souls a lively impression of that dissoluteness and villany which they see and hear, when it is joined with words, accents, gestures, motions, and actions, wherewith players and jugglers know how to enrich by all kind of artificial sleights, the filthiest and most dishonest matters, which commonly they make choice of. And to speak freely, in few words we may truly say, that the theatre of players is a school of all unchasteness, uncleanness, whoredom, craft, subtilty, and wickedness,"
Is it to be wondered at, that one who was both
