scullery behind his father's house. In constructing the battery the boy philosophers ran short of money to procure the requisite copper-plates. They had only a few copper coins left. A happy thought occurred to Charles, who was the leading spirit in these researches, 'We must use the pennies themselves,' said he, and the battery was soon complete.
In September, 1821, Wheatstone brought himself into public notice by exhibiting the 'Enchanted Lyre,' or 'Aconcryptophone,' at a music-shop at Pall Mall and in the Adelaide Gallery. It consisted of a mimic lyre hung from the ceiling by a cord, and emitting the strains of several instruments—the piano, harp, and dulcimer. In reality it was a mere sounding box, and the cord was a steel rod that conveyed the vibrations of the music from the several instruments which were played out of sight and ear-shot. At this period Wheatstone made numerous experiments on sound and its transmission. Some of his results are preserved in Thomson's Annals of Philosophy for 1823. He recognised that sound is propagated by waves or oscillations of the atmosphere, as light by undulations of the luminiferous ether. Water, and solid bodies, such as glass, or metal, or sonorous wood, convey the modulations with high velocity, and he conceived the plan of transmitting sound-signals, music, or speech to long distances by this means. He estimated that sound would travel 200 miles a second through solid rods, and proposed to telegraph from London to Edinburgh in this way. He even called his arrangement a 'telephone.'[1] A writer in the Repository of
- ↑ Robert Hooke, in his Micrographia, published in 1667, writes: 'I can assure the reader that I have, by the help of a distended wire, propagated the sound to a very considerable distance in an instant, or with as seemingly quick a motion as that of light.' Nor was it essential the wire should be straight; it might be bent into angles. This property is the basis of the
