hearer, if it dwell without a break on the same subject; but, if pauses are introduced at intervals, it affects the mind agreeably. And so he desired to lend variety to his work and imitated Homer. If we take up his book, we admire it to the last syllable, and always want more."
But it is a literary, not a scientific, enjoyment which Herodotus affords us. We know that the panorama of the peoples and tribes of three continents which he unrolls for us is colored by the fancy of the Greeks. Greek ideas and reflections are transferred to an Oriental or Barbarian setting. We can hardly find in Herodotus what Assyria, Babylonia, Lydia, Libya, Scythia, and Egypt really were in the sixth century B.C., but rather how they mirrored themselves in the Greek imagination. It is as though we had to reconstruct for ourselves a mountain range from its distorted reflections in the bosom of a lake. In this case, however, the distorted reflection has been brought into natural perspective for us by one of the greatest literary artists of the race. He had the genius to see, what is so easy for us now to see, that Salamis and Plataea were points towards which all previous Mediterranean history converged, and from which all subsequent Mediterranean history must diverge. To have had this vision first, establishes his right to be called "The Father of History."
It was the attempt of the Oriental Persian Empire to conquer the Aegean basin which engaged the Homeric genius of Herodotus; Thucydides depicts the struggle of Athens to maintain her empire of this Aegean basin, and he does it as a contemporary and participant. An imperial democracy was a new thing in the world's experience, as was also the historical treatment of contemporary events. Current events had been chronicled in time-relations merely by Hellanicus, but Thucydides was the first to apply to them the laws of cause and effect, and, whatever his excellences or defects, he was the founder of historical science as we now
