the kind. I have several times tried, but without success, to make him decide upon finishing it; but he has always repulsed my entreaties with marks of a singular aversion; and as it has even been necessary to distract his attention whilst working here, from a cruel anguish which seems never to leave him, it has been necessary to have this frame veiled, whose aspect caused him, even at a distance, frightful fainting fits."
"Poor unfortunate!" exclaimed I, with a deep sensation of pity.
"I think that he is very little to be pitied," gravely continued father Aloysius. "This man, I am sure, has been himself his own demon; for the story of his life does not excuse him. Berthold has made the acquaintance of a young student here; and in friendly confidence, has told him the greatest part of the secrets of his life. This young man had drawn up a kind of a journal of it, that I found on inspecting his papers; for, in our college, it is neither permitted nor possible to hide anything. I have kept this manuscript, and this evening, not only will I show it to you, but I with pleasure make you a gift of it, although I do not suppose that you will find in it any powerful interest."
Here, kind reader, is what this manuscript contained:—
"Let your son follow the fancy that urges him towards Italy. His hand is practised enough, his imagination ardent enough, to make the study of the great models of art profitable to him. Dresden has been the cradle of the painter; it is time that Home should be the school where his young inspirations shall be purified; he must go and live the free life of the artist, in the bosom of the country in which all the conceptions of the genius of man flourish. The classic soil of the great masters is necessary to the painter, as the influence of the warm sun is necessary to the shrub to develope its foliage and gild its ripe fruits. Your son carries within him the sacred fire; let him take a noble flight towards the future."
"Lo que ha de ser no puede faltar."
"What is to be cannot fail."
