146 AELBERT CUYP SECT. tower ; in front of it are five peasants ; to the right are a tree and a herd of cows. On the right, behind the horseman, one cow is lying down while another, farther left, stands up. The herdsman, with his back to the spectator, stands to the left of the cows and farther away. A flat land- scape. This work strongly resembles the Hague picture (42), but is not so good. Signed in the right-hand bottom corner j panel, 28 inches by 34^ inches. Mentioned by Parthey, 1863 (i. 721), and by E. Bassermann -Jordan, Unveroffentltchte Gemdlde alter Meister aus bairischem Staatsbesitz {Aschaffenburg), No. 23. From the gallery of the Archbishop Elector. In the collection at the Royal Castle, Aschaffenburg, No. 220. 476. LANDSCAPE WITH HORSEMEN. On the left under trees stands in profile to the right a saddle-horse, which a youth holds by the bridle. Behind the horse, and almost concealed from view, is its rider. Farther right is a second horseman, with his back to the spectator. In the right foreground are three dogs. Signed in the right-hand bottom corner in light brown, A. C. ; canvas, 14^ inches by 21 inches. Transferred from Fredensborg as a work of Abraham Carre. In the Copenhagen Museum, 1904 catalogue, No. 81. 477. A WELL-DRESSED MAN ON A GREY HORSE (or, Cavaliers halting to Refresh). Sm. 105. He faces right and is taking leave of a man standing behind him to the left. On the right a man-servant is mounting a brown horse. At one side is the corner of a house. Panel, 9^ inches by 1 1 inches. Sales. Meriveaux, 1806. General Craig, London, April 18, 1812 (^94: ios.). In the collection of Lord Penrhyn, Penrhyn Castle, No. 20. 478. A MAN IN RED ON A DAPPLED-GREY HORSE. He faces left. A good picture. Signed on the right. In the collection of C. T. D. Crews, London. 479. A Man of Rank on Horseback. He halts near a stone pillar. A man-servant in a long red coat leads a fine dappled-grey horse before him. In the foreground are two white-and-brown spotted dogs ; one looks up at his master, the other lies with outstretched fore-paws, facing the spectator. To the left, through two ruined archways, is a wooded landscape. Signed in the left-hand bottom corner, A. Cuyp ; panel, 15 inches bv 2o| inches. In the collection of Jules Porges, Paris. 479*. A Gentleman on Horseback. In the left foreground, on a bank, a gentleman is riding. Beside him goes a man-servant, as if to
