These rules hold true, of course, only in the ideal short story; the presenting of a bit of real life, the relating of an incident covering only a brief period of time.
No matter what method of narration you may choose, you must make up your mind at the outset to be simple and direct in telling your story. If you try to put style in your work, it will fall flat. After all, style is more or less of a humbug. If your writing is correct, and straight from the heart, and you put your individuality into it, critics will label your way of telling things “style.”
Not long ago Mr. Frank A. Munsey said some good things in regard to this quality to the students of Yale University.
“The style that means most,” he averred, “is that which comes from a man's own soul. Every one who cuts any figure in life has his own individuality, and it is this very individuality that gives character to style and lifts it out of the rut of machine-made stuff. No man ever gets very far with the