examples, as Prince of Wales and as King, in the Garter robes. There is a good Kneller George I. George II.'s three elder daughters, so well known to us from Lord Hervey's Memoirs, are No. 514, painted by Maingaud, artificial and unattractive, and more prettily the Princesses Emily and Caroline, in No. 517. Near them are their brothers, William Duke of Gloucester (if it be he) and Frederick Prince of Wales, the latter by Vanloo. The whole family of "Prince Fred" is also represented in No. 361, with a portrait of their father, then dead, on the wall. George III. appears several times in the galleries, notably among the collection of West's pictures, and in the picture of his review of the Tenth Hussars by the "attractively superficial" Sir William Beechey, most prolific of all English painters. There are several portraits of Queen Charlotte and her children, all interesting, and some pretty ones of some of the Princes when young. On the whole, the Hanoverian royal family could hardly be more completely studied than at Hampton Court.
The prominent personages of the time are also well represented. There are two portraits by Gainsborough of Hurd, Bishop of Worcester, tutor to George III., a kind, good man, whose face gave no great opportunity to the artist. His Dr. Fischer (No. 352) is far more significant, a speaking likeness indeed, full of vivacity and genius. Next to it is the charming Colonel St. Leger, in red uniform, so happy, light, sympathetic, and yet so expressive of the fact that there is little to express. There are several Hoppners, too, but, strange
