Ideas of Good and Evil.
there, his writings hitherto had not dealt with the principles of art except remotely and by implication; but now he wrote much upon them, and not in obscure symbolic verse, but in emphatic prose, and explicit if not very poetical rhyme. In his Descriptive Catalogue, in The Address to the Public, in the notes on Sir Joshua Reynolds, in The Book of Moonlight—of which some not very dignified rhymes alone remain—in beautiful detached passages in The MS. Book, he explained spiritual art, and praised the painters of Florence and their influence, and cursed all that has come of Venice and Holland. The limitation of his view was from the very intensity of his vision; he was a too literal realist of imagination, as others are of nature; and because he believed that the figures seen by the mind's eye, when exalted by inspiration, were 'eternal existences,' symbols of divine essences, he hated every grace of style that might obscure their lineaments. To wrap them
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