Ideas of Good and Evil.
never lacked its voice or its body—into something heard or seen, and loved less for the meaning than for its own sake. The only symbols he cared for were the shapes and motions of the body; ears hidden by the hair, to make one think of a mind busy with inner voices; and a head so bent that back and neck made the one curve, as in Blake's 'Vision of Bloodthirstiness,' to call up an emotion of bodily strength; and he would not put even a lily, or a rose, or a poppy into a picture to express purity, or love, or sleep, because he thought such emblems were allegorical, and had their meaning by a traditional and not by a natural right. I said that the rose, and the lily, and the poppy were so married, by their colour and their odour, and their use, to love and purity and sleep, or to other symbols of love and purity and sleep, and had been so long a part of the imagination of the world, that a symbolist might use them to help out
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