pathetic with the laborious lives of her children. She does not take their ploughs and wagons contemptuously, but rather makes every hovel and every sheep-fold, every railed bridge or fallen tree-trunk, an agreeably noticeable incident; not a mere speck in the midst of unmeasured vastness, but a piece of our social history in pictorial writing.
Our rural tracts—where no Babel-chimney scales the heavens—are without mighty objects to fill the soul with the sense of an outer world unconquerably aloof from our efforts. The wastes are playgrounds (and let us try to keep them such for the children's children who will inherit no other sort of demesne); the grasses and reeds nod to each other over the river, but we have cut a canal close by; the very heights laugh with corn in August or lift the plough-team against the sky in September. Then comes a crowd of burly navvies with pick-axes and barrows, and while hardly a wrinkle is made in the fading mother's face or a new curve of health in the blooming girl's, the hills are cut through or the breaches between them spanned, we choose our level and the white steam-pennon flies along it.
But because our land shows this readiness to be changed, all signs of permanence upon it raise a tender attachment instead of awe: some of us, at least, love the scanty relics of our forests, and are thankful if a bush is left of the old hedgerow. A crumbling bit of wall where the delicate ivy-leaved toadflax hangs its light branches, or a bit of gray thatch with patches of dark moss on its shoulder and a troop of grass-stems on its ridge, is a thing to visit. And then the tiled roof of cottage and homestead, of the long cow-shed where generations of the milky mothers have stood patiently, of the broadshouldered barns where the old-fashioned flail once made resonant music, while the watch-dog barked at the timidly venturesome fowls making pecking raids on the outflying grain—the roofs that have looked out from among the elms and walnut-trees, or beside the yearly group of hay and corn stacks, or below the square stone steeple, gathering their gray or ochre-tinted lichens and their olive-green mosses under all ministries,—let us praise the sober harmonies they give to our landscape, helping to unite us pleasantly with the elder gen-
