Our house stood in a highly respectable little square near the Clayton parish church. Mr. Gabbitas, the curate of all work, lodged on our ground floor, and upstairs there was an old lady, Miss Holroyd, who painted flowers on china and maintained her blind sister in an adjacent room; my mother and I lived in the basement and slept in the attics. The front of the house was veiled by a Virginian creeper that defied the Clayton air and clustered in untidy dependant masses over the wooden porch.
As I came up the steps I had a glimpse of Mr. Gabbitas printing photographs by candle light in his room. It was the chief delight of his little life to spend his holiday abroad in the company of a queer little snap-shot camera, and to return with a great multitude of foggy and sinister negatives that he had made in beautiful and interesting places. These the camera company would develop for him on advantageous terms, and he would spend his evenings the year through in printing from them in order to inflict copies upon his undeserving friends. There was a long frameful of his work in the Clayton National School, for example, inscribed in old English lettering, "Italian Travel Pictures, by the Rev. E. B. Gabbitas." For this it seemed he lived and traveled and had his being. It was his only real joy. By his shaded light I could see his sharp little nose, his little pale eyes
