deep. There was no admission of light except from the door; the sides were without ornament of any kind, and in the back wall, covering the whole width, was the tablet given in the engraving, No. 68. It was ten feet eight inches wide, six feet four inches in height, and consisted of three separate stones. That on the left, facing the spectator, is still in its place. The middle one has been removed and carried down the side of the structure, and now lies near the bank of the stream. It was removed many years ago by one of the inhabitants of the village, with the intention of carrying it to his house; but, after great labour, with no other instruments than the arms and hands of Indians, and poles cut from trees, it had advanced so far, when its removal was arrested by an order from the government forbidding any farther abstraction from the ruins. We found it lying on its back near the banks of the stream, washed by many floods of the rainy season, and covered with a thick coat of dirt and moss. We had it scrubbed and propped up, and probably the next traveller will find it with the same props under it which we placed there. In the engraving it is given in its original position on the wall. The stone on the right is broken, and, unfortunately, altogether destroyed; most of the fragments have disappeared; but, from the few we found among the ruins in the front of the building, there is no doubt that it contained ranges of hieroglyphics corresponding in general appearance with those of the stone on the left.
The tablet, as given in the engraving, contains only two-thirds of the original. In Del Rio's work it is not represented at all. In Dupaix it is given, not, however, as it exists, but as made up by the artist in Paris, so as to present a perfect picture. The subject is reversed, with the cross in the centre, and on each side a single row of hieroglyphics, only eight in number. Probably, when Dupaix saw it (thirty-four years before), it was entire, but the important features of six rows of hieroglyphics on each side of the principal figures, each row containing seventeen in a line, do not appear. This is the more inexcusable in his publishers, as in his report Dupaix expressly refers to these numerous hieroglyphics; but it is probable that his report was not accompanied by any drawings of them.
The principal subject of this tablet is the cross. It is surmounted by a strange bird, and loaded with indescribable ornaments. The two figures are evidently those of important personages. They are well drawn, and in symmetry of proportion are perhaps equal to many that are carved on the walls of the ruined temples in Egypt. Their costume is in a style different from any heretofore given, and the folds would seem to indicate that they were of a soft and pliable texture,