—Of course those big paper butterflies (o-chō and me-chō) which figure at weddings must not be thought of as having any ghostly signification. As emblems they only express the joy of loving union, and the hope that the newly married couple may pass through life together as a pair of butterflies flit lightly through some pleasant garden,—now hovering upward, now downward, but never widely separating.
II
A small selection of hokku on butterflies will help to illustrate Japanese interest in the aesthetic side of the subject. Some are pictures only,—tiny color-sketches made with seventeen syllables; some are nothing more than pretty fancies, or graceful suggestions;—but the reader will find variety. Probably he will not care much for the verses in themselves. The taste for Japanese poetry of the epigrammatic sort is a taste that must be slowly acquired; and it is only by degrees, after patient study, that the possibilities of such composition can be fairly estimated. Hasty criticism has declared that to put forward any serious claim on behalf of seventeen-syllable
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