Fionn went in with the notables.
His arrival had been timed for the opening day and the great feast of welcome. He may have marvelled, looking on the bright city, with its pillars of gleaming bronze and the roofs that were painted in many colours, so that each house seemed to be covered by the spreading wings of some gigantic and gorgeous bird. And the palaces themselves, mellow with red oak, polished within and without by the wear and the care of a thousand years, and carved with the patient skill of unending generations of the most famous artists of the most artistic country of the western world, would have given him much to marvel at also. It must have seemed like a city of dream, a city to catch the heart, when, coming over the great plain, Fionn saw Tara of the Kings held on its hill as in a hand to gather all the gold of the falling sun, and to restore a brightness as mellow and tender as that universal largess.
In the great banqueting hall everything was in order for the feast. The nobles of Ireland with their winsome consorts, the learned and artistic professions represented by the pick of their time were in place. The Ard-Rí, Conn of the Hundred Battles, had taken his place on the raised dais which commanded the whole of that vast hall. At his right hand his son Art, to be afterwards as famous as his famous father, took his seat, and on his left Goll mor mac Morna, chief of the Fianna of Ireland, had the seat of honour. As the High King took his place he could see every person who was noted in the land for any reason. He would know every one who was present, for the fame of all men is sealed at Tara, and behind his chair a herald stood to tell anything the king might not know or had forgotten.
Conn gave the signal and his guests seated themselves.
