Page:JOSA-Vol 06-06.djvu/20

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542
L. T. Troland
[J.O.S.A. & R.S.I, VI

as “the color of light,” “the color of a material,” “spectral colors,” etc., since such expressions may be taken to imply a psychophysical linkage between stimulus and color which is reliable under normal conditions.

III. STANDARD PSYCHOPHYSICAL DATA

The purpose of the ensuing Part of this Report is to present data on certain laws or conditions which are fundamental to visual response and, in particular, to the science of colorimetrics. These data refer mainly to psychophysical relations of the two types defined in the preceding Part, but also to certain purely psychological and purely physiological laws. A great deal remains to be discovered and made definite in this field, and the following statements merely represent the best determinations available when the best are often far from good. Reference should be had to the Report of the Committee on Visual Sensitometry for a more detailed treatment of visual laws which are of interest mainly to the photometrician or the illuminating engineer.

1. The Psychological Color Solid

The three-fold attributive nature of color permits the symbolic arrangement of all possible colors in the form of a geometrical, or quasi-geometrical solid, neighboring members being separated by just noticeable differences. At present there are not sufficient data to permit of an accurate construction, but the following approximations would appear to be determined.[1]

A. General Coördinates.—Since the hues are cyclical in their resemblances, they will be represented most appropriately by angular measures with reference to a fixed point and line in any plane. The saturation must then be determined—on the general principle of polar coördinates—by a distance in the plane from the fixed point, or pole. The third dimension, of brilliance, consequently becomes a distance perpendicular to the selected plane.

B. Reference Axes.—The most natural origin of coördinates is the point on the axis of the figure which represents the median gray (vide supra), the axis itself (standing for all of the achromatic
  1. For discussions of the Psychological Color Solid see (92, 60-64; 61, 22-25).