the window-curtain half hides me. Again the arch yawns: they come. The collective appearance of the gentlemen, like that of the ladies, is very imposing: they are all costumed in black; most of them are tall, some young. Henry and Frederick Lynn are very dashing sparks, indeed; and Colonel Dent is a fine soldierly man. Mr. Eshton, the magistrate of the district, is gentleman-like: his hair is quite white, his eyebrows and whiskers still dark, which gives him something of the appearance of a "père noble de théatre." Lord Ingram, like his sisters, is very tall; like them, also, he is handsome; but he shares Mary's apathetic and listless look: he seems to have more length of limb than vivacity of blood or vigour of brain.
And where is Mr. Rochester?
He comes in last: I am not looking at the arch, yet I see him enter. I try to concentrate my attention on these netting-needles, on the meshes of the purse I am forming—I wish to think only of the work I have in my hands, to see only the silver beads and silk threads that lie in my lap; whereas, I distinctly behold his figure, and I inevitably recall the moment when I last saw it: just after I had rendered him, what he deemed, an essential service—and
