Tadotsu, in which were three officers of inferior grade, who had come to escort him ashore. From his seat in the boat he waved his hand genially to us, while the men pulled in to harbour, but the three officers remained standing, as unmoved by the shock of the waves as by the rattle of Chinese artillery.
Kōbe received us, weary and late, with hospitable arms. In that prosperous port, so rapidly distancing Yokohama in commercial importance, an English colony is solidly entrenched with pews and cricket-bats and pianos. I went to the club, and was at once in England. The Saturday Review was reviewing and The World revolving on the same lines as when I was last in Fleet Street. Mr. Bernard Shaw was still unmasking demerits in Shakespeare, while Mr. William Archer was inventing merits for American comic opera. In a moment of nostalgia I sauntered into a well-filled church, whose congregation were listening with rapture to a beautiful rendering of Gounod's "There is a Green Hill": finally, I learned at a friend's table that a cricket-match between the ladies and gentlemen of Kobe was the burning topic of the week. Between Mr. Bernard Shaw and Buddha (vegetarians both), between Gounod and geisha, between batting and bathing, lay the gulf which separates the hard-hitting West from the lotus-loving East. I could not bridge the gulf without a violent effort. In fact, I felt a little ashamed on mixing with my fellow-countrymen, so pious and strenuous and practical. While they had been working and playing as only Britons can, I had utterly forgotten that any country except Japan could enthral and stimulate. I had been taking the waters—of Lethe.
