PLAYING WITH FIRE
I
This is the love-story of René Beauregard and O Maru San. It does not illustrate the cynical conceit of a French dandy, æsthetically explaining and profaning love to amuse an indelicate public, nor does it demonstrate the folly of mixed marriages, in which nuptial ceremonies, high-flown speeches, adultery, and suicide are hypocritically served up to suit the British palate. It is the straightforward story of an ordinary attachment in the Far East between two rather bad and rather good friends of mine, whose notions of "good" and "bad" as translated into deeds were lax, but, in their eyes and in that region, not absolutely damnable.
M. René Beauregard had been in Tōkyō about a fortnight, when I found him one evening at a print-seller's shop in the Ginza, surrounded by an inquisitive crowd of admirers and much embarrassed by inability to declare his meaning in Japanese. He was accompanied by an hotel-boy, who, knowing no French words but Oui, monsieur, and Bon jour, recognised me with relief and solicited assistance. I was able to extricate him from the curiosity of the bystanders and
