Page:Japanese plays and playfellows (1901).djvu/45

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BEHIND THE SCENES
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the attendant musumé as a plaything, but the incivility of the rickshaw-man when his invariable attempt to overcharge is frustrated rests on no other basis than the presumption, not confined to one country, that since the traveller has arrived to spend money, he should be encouraged to spend it as freely as possible. Sometimes, too, an amusing reciprocal patronage is to be observed. If the tourist be inclined to regard the peasant as a living toy invented for his diversion, the peasant not infrequently will see in the tourist a helpless, rather childish creature, pleased by infantile things and unable to speak a word of Japanese. He therefore pities, protects, and fleeces him. None but the incapable rich, whom vanity or idleness compels to become dependent on inferiors, should dream of employing a professional guide. He probably is less well informed than "Murray"; he seeks on every pretext to prolong his services; he exacts a commission on every purchase made, both from his employer and the shopkeeper, for if the latter refuse he will conduct the customer elsewhere. Notwithstanding these peculiarities, he is perhaps worth his price to hurried visitors.

How far materialism has gone in replacing dutiolatry by worship of the golden calf, to what extent the old high ideals have ceased to affect the relations of the Japanese to one another such a question is difficult, perhaps impossible, to answer satisfactorily. Mr. B. H. Chamberlain declares roundly that "patriotism is the only ideal left," but on such a nice point it is better to let the native speak for himself.

From The Orient, a monthly magazine, Buddhistic in sympathy and of modern tendency, is quoted the following unequivocal indictment:

"Spiritually there is very undeniable decadence.