door of the Pavilion, smoothed the furrows from her forehead and quickened her steps. When the door closed behind them he caught her in his arms and kissed her. It was early in her widowhood to be kissed, but she made no protest. She did not feel a widow; she felt a free woman again. It is even to be feared that her lips were responsive.
Antony, too, was changed. He was paler and almost careworn. There was no doubt of his joy at her coming, no doubt that it was greater than the day before. But it was qualified by some other troubling emotion. Now and again he looked at her with different eyes—eyes from which the joy had of a sudden faded, rather fearful eyes that looked a question which could not be asked. Her eyes rather shrank from his, and when they did look into them it was with a like question.
But they were too deeply in love with one another for any other emotion to hold them for long at a time. Presently in the joy of being together, looking at one another, touching one another, the fearfulness and the question passed from their eyes.
There was nothing rustic about the Pavilion inside or out. It was of white marble, brought from Carrara for the fifth Baron Loudwater at the end of the eighteenth century; and a whim of her murdered husband had led him to replace the original, delicate, rather severe furniture by a most comfortable broad couch, two no less comfortable chairs
