by God. So we don't think so much of it. We are prejudiced, like all creators, in favor of our own creations. After all, there is excellent precedent for such complacency. Even God, we are informed, pronounced his work "all very good" and rested on the seventh day.
Pretty nearly everything in the play as acted is in the book as published; but by no means all that is in the book could possibly be enacted on the stage in two hours and a half. One scene, a breakfast scene between John and his wife, has been amplified for acting, but all the other scenes as printed here have been shortened for stage purposes and one or two cut out entirely.
The "set" was changed to represent the loggia, instead of the terrace, of John's "little farm." Outdoor scenes are not supposed to be good for comedy. Walls, or a suggestion of them, produce a better psychological effect for the purpose, besides making it possible to speak in quieter, more intimate tones than when the voice spills out into the wings and up into the paint loft.
Near the end of the play a number of relatives, rich and poor, are supposed to arrive for dinner and for influencing by their presence the recalcitrant couple. That is the way it is printed
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