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77
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'Abodah
JEWISH KNCYCLOPEDIA
TIIK
from all being tlerivoil thenci-. it must be remembered that many of the oruameiital phrases in general vogue elosely resemble what is to be Ornamental notioerl in the performanees of Arab Phrases, musirians. and others recall the melismutie chant so frei|Ueiit in the ixradwals of the medieval church. Had not the oriiriiial Oriental elements iu the syuagogical intonations and the contemporary example of earlier European aeigh-
'Abodab, Uusic of
bors alike fostered such vocal embroidery, the ornamentiition of the seventeenth century would have been rigidly excluded as htikkat Imyoyim ("Gentile usjige
").
The experiment has been
tried in Berlin and elsewhere of omitting such ornamental jihrascs, especially those termed pneunia," to which no words are sung, and of rendering only what seemed to the musical analyst to be the essential sections of such
'ABODAH mf
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