INTEREST AND EFFORT
there, and then calling the activity into being. Canvas, brushes, and paints interest the artist, for example, because they help him discover and promote his existing artistic capacity. There is nothing in a wheel and a piece of string to arouse a child's activity save as they appeal to some instinct or impulse already active, and supply it with means of execution. The number twelve is uninteresting when it is a bare, external fact; it has interest (just as has the top or wheelbarrow or toy locomotive) when it presents itself as an instrument of carrying into effect some dawning energy or desire—making a box, measuring one's height, etc. And in its difference of degree exactly the same principle holds of the most technical items of scientific or historic knowledge—whatever furthers action, helps mental movement, is of interest.
3. We now come to the emotional phase. Value is not only objective but also subjective. There is not only the thing which is projected as valuable or worth while, but there is also appreciation of its worth.
The gist of the psychology of interest may,
