veniencies of summer and winter, by new perceptions of the calmness and mildness of the intermediate variations.
Every season has its particular power of striking the mind. The nakedness and asperity of the wintry world always fill the beholder with pensive and profound astonishment; as the variety of the scene is lessened, its grandeur is increased; and the mind is swelled at once by the mingled ideas of the present and the past, of the beauties which have vanished from the eyes, and the waste and desolation that are now before them.
It is observed by Milton, that he who neglects to visit the country in spring, and rejects the pleasures that are then in their first bloom and fragrance, is guilty of sullenness against nature. If we allot different duties to different seasons, he may be charged with equal disobedience to the voice of nature, who looks on the bleak hills and leafless woods, without seriousness and awe. Spring is the season of gaiety, and winter of terror; in spring the heart of tranquillity dances to the melody of the groves, and the eye of benevolence sparkles at the sight of happiness and plenty: in the winter, compassion melts at universal calamity, and the tear of softness starts at the wailings of hunger, and the cries of the creation in distress.
Few minds have much inclination to indulge heaviness and sorrow, nor do I recommend them beyond the degree necessary to maintain in its full vigour that habitual sympathy and tenderness, which, in a world of so much misery, is necessary to the ready discharge of our most important duties. The winter therefore is generally celebrated as the
