And when we seek, as now, thy gift of sleep.
In the first pair of syllables the accent may deviate from the rigour of exactness, without any unpleasing diminution of harmony, as may be observed in the lines already cited, and more remarkably in this,
Maker omnipotent! and thou the day.
But, excepting in the first pair of syllables, which may be considered as arbitrary, a poet who, not having the invention or knowledge of Milton, has more need to allure his audience by musical cadences, should seldom suffer more than one aberration from the rule in any single verse.
There are two lines in this passage more remarkably unharmonious:
For us too large; where thy abundance wants
Partakers, and uncrop'd falls to the ground.
Here the third pair of syllables in the first, and fourth pair in the second verse, have their accents retrograde or inverted; the first syllable being strong or acute, and the second weak. The detriment which the measure suffers by this inversion of the accents is sometimes less perceptible, when the verses are carried one into another, but is remarkably striking in this place, where the vicious verse concludes a period; and is yet more offensive in rhyme, when we regularly attend to the flow of every single line. This will appear by reading a couplet in which
